Dramatis Personae:
John Crowley (JC:) The recipient of an American Academy of Arts and Letters Award for Literature, John Crowley lives in the hills above the Connecticut River in northern Massachusetts with his wife and twin daughters. He is the author of Daemonmania; Love & Sleep; Aegypt; Three Novels; The Translator, and, most recently, Lord Byron’s Novel. His acclaimed novel Little, Big celebrates its 25th anniversary this fall.
Jeffrey Ford (JF): Jeffrey Ford is a professor of writing and early American literature at Brookdale Community College in New Jersey and the author of four previous novels: the award-winning New York Times Notable Book The Physiognomy, Memoranda, The Beyond, and The Portrait of Mrs. Charbuque. His most recent novel, A Girl in the Glass, was a New York Times Editor's Choice, and his short story collection, The Empire of Ice Cream, was just chosen as one of Publishers Weekly's best 100 books of 2006.
James Morrow (JM): James Morrow's most recent novel, a critically-acclaimed historical epic called The Last Witchfinder, was a New York Times Editor's Choice. His earlier novels include This Is the Way the Worlds Ends, Only Begotten Daughter, and a cycle of Nietzchean satires known as the Godhead Trilogy. A two-time winner of both the World Fantasy Award and the Nebula Award, he lives with his wife and son in State College, Pennsylvania.
Tim Powers (TP): The author of numerous novels including the World Fantasy Award Winner Last Call, Expiration Date, Earthquake Weather, and The Anubis Gates, Tim Powers lives in San Bernardino, California. His most recent novel, Three Days to Never, explores a secret chapter in Einstein's past, and spent three weeks on the LA Times Bestseller list.
Moderator: Diana Gill, Senior Editor, Morrow/Eos (DG)
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DG: Looking at your most recent books, they all deal with secret histories of a sort, whether it's a lost piece from the mad, bad poet Byron, books warring against themselves, Einstein's hidden past, or the mysteries behind Long Island's Gold Coast. What drew you to these themes, and/or these particular time periods? Are history and speculative fiction a natural match? Is it easier to write fantastical elements in period novels, or harder?