From New York Times bestselling author, James Reese.
As I’m out on the road promoting THE DRACULA DOSSIER, which imagines a run-in between Bram Stoker and Jack the Ripper, I’m hearing the same question during the post-reading Q&As (which are by far my favorite part of a writer’s “night out”). It has to do with research. Maybe my answer will be of interest to some of you. Hope so.
More to the point, the question I get is this: Have you been to the places in your book?
It’s a question that stems, I think, from people’s preoccupation with the imagination. Readers wonder how a writer makes up a setting. Or are they really making it up at all? Maybe they’re up to something else entirely. …This notion of imagination is a slippery slope for many folks, writers and readers alike.
In the case of THE DRACULA DOSSIER, I’m lucky to be able to say, Yes, I’ve been to all the main locales of the story. These include Bram Stoker’s former homes in Chelsea, in London, as well as those of his neighbors, Hall Caine and Lady Wilde. I’ve been on the infamous Ripper walks through the East End, And I’ve even been under the city of Edinburgh, in its warren of wynds and closes. On the other hand, I’ve not yet been to the Havannah of THE BOOK OF SPIRITS. And you know what? It doesn’t make a whole lot of difference whether I visit the places I write about or not. Here’s why:
First off, much of the “historical” in any given place is gone. (On the Ripper walks, for example, you’ve told a scary story while standing in front of an office building built in the ‘50s – the 1950s!) Much of the time spent traveling to do such research is spent trying to block out the yellow Hyundai stalled at the light, or the satellite dishes atop the rare house you find that might actually date to your period of research. On the other hand, proper research gets you to those imagined yet historical places much faster (and at a fraction of the price!).
Some of my preferred resources for researching a setting are travel books of the period. They’re incredibly rich in their descriptions of places, particularly if they date from the pre-photographic era: the early parts of the 19th c. Back then, you couldn’t just pop a photo into a travel guide and be done with it; the writer had to work to make the locale come alive. Great resources, those old guides (if you can find them).
So, my short answer: I don’t have to go to the places I write about; but given my druthers, I still will. It’s nice to get away from the keyboard for a while, even if the trip makes you long for home and your stack of musty old travel guides.